Showing posts with label Lin-Manuel Miranda. Show all posts
Showing posts with label Lin-Manuel Miranda. Show all posts

Thursday, November 25, 2021

Movie Review: Encanto (2021)

Directed by
Jared Bush, Byron Howard, & Charise Castro Smith

As with any of the previous 59 Disney animated movies, Encanto shows a lot of heart, however this 60th film doesn't hit all the right notes as this movie you want to love falls just short.

Encanto tells the story of the Madrigal family, a family with extraordinary abilities that leads their small Colombian town.  At the heart of the family is the matriarch Abuela, who was given a magical candle as a young woman that has allowed for this magical family, and their magical house to exist.  She is stern and will do anything to protect her family's magic.  The main character of this story is Mirabel (voiced by Stephanie Beatriz), the one member of the Madrigal family that was not blessed with a special gift.  As she struggles to find her place in her family and her purpose for her life, there begins to be evidence that the family's exceptional gifts may be starting to fade.  Mirabel finds herself in a position to investigate and try to save her family and prove her worth.  The other star of the film is one that is never seen or heard directly as Lin-Manuel Miranda wrote all the original songs that are featured throughout the movie.

The strength of this film is the story, developed by the three filmmakers also credited with directing.  It is original, creative, and explores themes we can all relate to.  Another strength is the vocal talent, which is always strong in every Disney animated film (well, really any animated film these days).  This is led by Beatriz, who gives a wonderful performance and makes you want to see her lead a live action film soon.

With music brought to us by one of the hottest names in the industry in Lin-Manuel Miranda, it's impossible not to compare Encanto with some of his other efforts composing the music for animated films, like 2016's Moana or even Vivo, which hit Netflix earlier this year.  I loved Moana and was also a big fan of Vivo, in which he also leant his voice to the titular character.  I think Encanto is probably Miranda's weakest effort of these three films.  The songs are fine and fun, but none of them are really that catchy.  There's no "How Far I'll Go" here, which earned Miranda his only Oscar nomination to date.  The songs in Vivo are even much more memorable.  (Personally, I am rooting for "My Own Drum" to sneak out an Original Song nomination this year.)  If you are comparing, Encanto's soundtrack probably most closely resembles In the Heights.  It works better for a full musical like In the Heights than it does for the few songs that pop up in Encanto.  The second issue I have with the music is it doesn't seem to fit.  More than any other musical I have seen, I thought the musical numbers distracted and took away from the rest of the story.  They felt forced, and I think the film would've been better if they just weren't there.

Even though the music was distracting, I really did enjoy most of the movie.  It is an engaging story, beautiful to look at ... it's really a movie you want to love.  I would probably be giving this a thumbs up despite these flaws if it had stuck the ending.  It had some great ideas and had the makings of a great conclusion to the story, but instead it felt rushed, not fully flushed out, and really unexplained in what it was going for.  I think I know what it was trying to say, but it needed to take a little more time saying it.

I wanted to like Encanto, I really did.  There were just a few too many misfires in the execution for me to fully sign off on it.  It might grow on me with a re-watch (probably will), but I'm not there yet.

Now a message for Lin-Manuel Miranda.  I appreciate what you are doing and I love your music, but I think I speak for a lot of people when I say I would rather see the next Hamilton than the next Moana.

Rating: 2.5 stars


Friday, December 16, 2016

SNL 42.2 Review - Lin-Manuel Miranda, Twenty One Pilots

Original Airdate - 10/8/16

Over the last year or so, Lin-Manuel Miranda has become a household name for writing the Broadway phenomenon Hamilton.  His talents are perfect for a show like SNL.  Although the episode wasn't great, he definitely showed who he is and how talented he is throughout the episode.

Cold Opening
In an election season, it's likely that the Cold Open is going to be political in nature.  When that election season involves Donald Trump, it's a guarantee.  Alec Baldwin might as well just be a cast member this season.  This Cold Open starts with the Vice Presidential debate and then jumps into Donald Trump news.  The headline of the week this week was the Access Hollywood bus.  It's rare for SNL to not pull any punches, however they are brutal in their satire of the political scene right now.

Monologue
This is one of my all time favorite monologues.  When you have a veteran of stage that is a writer himself as a host, just let him do his thing.  It's not surprising that Miranda did a song from Hamilton, but he turned his song "My Shot" into an amazing rap about how great it is to be hosting the show.  Just sit back and enjoy.

Best Sketch
Two trends continued with this sketch.  First, there was the satire of the election season and its candidates.  Second, you have yet another pre-recorded sketch.  This one features Kate McKinnon as Kellyanne Conway, Donald Trump's campaign manager, as she tries to take a day off.  However, Trump's antics refuse to let her enjoy that day.

Weekend Update
As the anchors continue to get better and better, there is less and less time for guests to the Update desk.  First, we have Pete Davidson in another one of his hilarious rants.  Next, we have a treat as two former Update anchors, Jimmy Fallon and Tina Fey, arrive in a not very well rehearsed bit.  It really didn't matter though.  Seeing them back at the desk made it all worth it.

Dark Horse Sketch
There have been several sketches over the last few years with this setup.  A substitute teacher comes into a class and hilarity ensues.  However, this one takes on a different turn.  Lin-Manuel Miranda is the sub trying to take advantage of his reputation after Hamilton by teaching historical events through hip hop.  However, the kids aren't having anything of it.

Grade
Outside of the first 10 minutes, there really wasn't anything memorable.  There wasn't really bad, but it was mostly forgettable.  I wish it had been a little stronger of an overall episode with Miranda hosting.  With all that said, the host hopefully earned a future return to the SNL stage.

***C+***