Showing posts with label American Hustle. Show all posts
Showing posts with label American Hustle. Show all posts

Thursday, July 9, 2015

2010's Mid-Decade Report: Oscar-less Best Picture Nominees

One of the more interesting aspects of the first half of this decade is the changing policies around the Oscars and their Best Picture lineups.  In 2008, there was such controversy surrounding the 5 Best Picture nominees that the Academy decided to change its nominating policies.  Instead of the traditional 5 nominees, there would be 10 in order to honor some of the more mainstream movies in the ceremony.  What the Academy quickly realized is not every year has 10 films worthy of being nominated.  (I am still wondering how The Blind Side is called a Best Picture nominee.)  After that failed experiment, they changed the rules again to make it a lineup of 5-10 movies based on how many were deserving that particular year (earning at least 5% of the first place votes).  We have been under these rules since 2011, which has given us years of nine nominees and one year (this last one) of only eight.  Either way, this decade has brought us more Best Picture nominees than we have had since the first few years of the award's existence.

So how successful has the Academy been?  These rule changes were put in place after 2008 to avoid critically-acclaimed blockbusters like WALL-E and The Dark Knight that are truly deserving to be left out of the Best Picture picture.  Has it been successful?  Well, in the 2000's there were 55 films nominated for Best Picture with 11 of them coming home without winning a single Oscar (four of those films coming from the embarrassment that was the 2009 lineup, the first top ten).  So far this decade, there have been 45 films nominated for Best Picture.  Of those, 14 of them did not win a single Oscar, raising the winless rate 11% from the previous decade.  If a film isn't best at anything, does it deserve film's highest honor?  Let's look at these 14 films and see if their resume truly deserves the title "Best Picture Nominee."


Extremely Loud & Incredibly Close
(2011)
2 nominations
Picture
Supporting Actor - Max von Sydow

This has got to be one of the strangest Best Picture nominees in some time.  It's only other nomination was a Supporting Actor nod that had no precursors outside of a couple random critic groups.  The film was completely shut out at the Golden Globes which normally likes heartfelt films with starpower like Tom Hanks and Sandra Bullock.  Add to that a film like The Girl with the Dragon Tattoo was left off that year's list while taking home an important win like Best Editing.  It was a quality film that I enjoyed, but it didn't seem to fit the honor.
Nomination Grade: F


The Tree of Life
(2011)
3 nominations
Picture
Director - Terrence Malick
Cinematography

There are artistic films, and then there are Terrence Malick films.  He doesn't make many movies, but this was only his second film nominated for Best Picture.  Every now and then these art films get nominated for the big prize, and its other nominations show how much respect the Academy had for its filmmaking.  However, there is no way this film gets into a five film lineup for Best Picture.  If the purpose of expanding the Best Picture lineup was to allow more mass-appealing films into the Best Picture lineup, why does a Terrence Malick film get one of the expanded spots?  That is about as opposite of "mass-appealing" as possible.
Nomination Grade: D


Philomena
(2013)
4 nominations
Picture
Actress - Judi Dench
Adapted Screenplay
Original Score

Every year, no matter how many films are nominated, there seems to be the stereotypical British film that works its way into the Best Picture lineup for some reason.  In 2013, that film was Philomena.  It had about every nomination one of these British films needs to justify its Best Picture appearance.  It had a major acting nomination, a screenplay nom, and one other random justification nod.  The only thing that would have made its case stronger would have been a Directing nomination.  Looking at the 2013 lineup, it would have been interesting to see if it would have made a five film lineup.  There are other films that were more worthy, but it is the type of film that sneaks in no matter what.  On top of that, it was a great film.  I have no problem with this film being a Best Picture nominee.
Nomination Grade: B-


Beasts of the Southern Wild
(2012)
4 nominations
Picture
Actress - Quvenzhane Wallis
Director - Benh Zeitlin
Adapted Screenplay

Another byproduct of expanding the Best Picture is bringing attention some small independent films that usually wouldn't be recognized as much.  Beasts of the Southern Wild is one of those films.  A film like this sometimes pops up in the screenplay lists.  However, it is rare a small independent film finds its way to screenplay, director, and acting nominations.  Maybe it got this much attention because it did have a chance at Best Picture so people paid more attention to it.  Maybe it really was that good in the eyes of the Academy.  I don't think it was that deserving of the honor, but it is hard to argue much with the resume it put together.
Nomination Grade: C+


Winter's Bone
(2010)
4 nominations
Picture
Actress - Jennifer Lawrence
Supporting Actor - John Hawkes
Adapted Screenplay

This film falls in a similar category as Beasts of the Southern Wild.  It deserved awards attention, but probably didn't deserve a Best Picture nomination.  As the one year that was forced to have 10 nominees this decade, I have to think Winter's Bone was the tenth film on the list.  If it hadn't been for a very surprising nomination for John Hawkes, it would not have had much of a resume to warrant Best Picture consideration.  However, many people forget that this was the film that announced the arrival of Jennifer Lawrence.  If it weren't for Winter's Bone, I don't know if she would be as much of a household name now.
Nomination Grade: C-


The Kids Are All Right
(2010)
4 nominations
Picture
Actress - Annette Bening
Supporting Actor - Mark Ruffalo
Original Screenplay

This is an actor's film.  Many times in films like this, there are not many nominations outside the major categories.  This is the case with this film as it only garnered two acting nominations and a screenplay nomination.  Julianne Moore could have easily been nominated as well, but wasn't.  Usually you would think a film like this deserves its Best Picture nomination, but it reminds me a little of a film like Doubt which earned four acting nominations and a screenplay nomination, but was left off the Best Picture top five of 2008.  However, Doubt deserved consideration for one of those spots just as much as fan favorites WALL-E and The Dark Knight did.  I have no problem seeing this film in the Best Picture category.
Nomination Grade: B


The Wolf of Wall Street
(2013)
5 nominations
Picture
Actor - Leonardo DiCaprio
Supporting Actor - Jonah Hill
Director - Martin Scorsese
Adapted Screenplay

Some filmmakers deserve the recognition of Best Picture for pretty much every film they put out.  This was Martin Scorsese's 8th film to be nominated for Best Picture, and it seems to have a very similar pedigree as some of his earlier films.  With that said, it would not have been a huge shock to see Leo DiCaprio walk away with Best Actor this time around (other than the fact that the Academy seems physically unable to give Leo his day in the sun).  It may only have five nominations, but they are all the important ones.  This was definitely a lock for Best Picture that year.
Nomination Grade: A-


Captain Phillips
(2013)
6 nominations
Picture
Supporting Actor - Barkhad Abdi
Adapted Screenplay
Sound Mixing
Editing
Sound Editing

It is a shame this film didn't have a 7th nomination as Tom Hanks was robbed in the Best Actor category.  With that said, looking back on it, this was a somewhat strange nomination.  It only had one acting nomination (for a film debut no less).  It had a screenplay nomination, but no directing recognition hurts it.  It had several tech noms, but Paul Greengrass always gets those noms whether his movie gets major recognition or not (see United 93 and The Bourne Ultimatum).  In a year with five nominees, this may have been left off the list.  However, as a fan of this film, I am happy I can call it a nominee.
Nomination Grade: B


Nebraska
(2013)
6 nominations
Picture
Actor - Bruce Dern
Supporting Actress - June Squibb
Director - Alexander Payne
Original Screenplay
Cinematography

This has everything you would expect to see out of a Best Picture nominee.  It has some solid acting nominations (with Bruce Dern in talks of winning to the very end), a previous winner nominated for director, the screenplay is nominated, and it got a solid tech nomination as well.  This film deserves its moniker.  It was just one of the unlucky films that couldn't beat anybody out.
Nomination Grade: A


War Horse
(2011)
6 nominations
Picture
Cinematography
Art Direction
Sound
Sound Editing
Original Score

There is a big difference between War Horse and Nebraska even though they had the same number of nominations.  While Nebraska had all the important nominations like acting, director, and screenplay, War Horse was only able to be recognized for its tech performances.  The only reason this was even considered a Best Picture contender is the fact that it was directed by Steven Spielberg.  In a year with five nominees, this would be the equivalent of films like King Kong or Memoirs of a Geisha, however those films actually won Oscars while not being nominated.  This probably didn't belong here.
Nomination Grade: C


Moneyball
(2011)
6 nominations
Picture
Actor - Brad Pitt
Supporting Actor - Jonah Hill
Adapted Screenplay
Sound
Editing

If my brother has convinced me of anything in regards to the Oscars, it is that under most circumstances, a nomination for Best Editing is an indication of a movie loved by the Academy.  Add that to two acting nominations, a screenplay nomination, and a film fronted by a previous directing nominee, and you have quite a strong resume for Best Picture.  This film definitely deserves its title, even if it is about the Oakland A's...
Nomination Grade: A-


127 Hours
(2010)
6 nominations
Picture
Actor - James Franco
Adapted Screenplay
Editing
Original Song
Original Score

I can't think of this film's run at the Oscars without thinking of the bizarre behavior of James Franco while hosting the Oscars that year.  For that performance alone, I wish this film hadn't gotten so much recognition.  As it is, as much as I love this movie, it didn't really earn its way to being a Best Picture nominee.  It did have some key nominations like actor, screenplay, and editing, and it also was the follow-up film for a recent winner, but its other two nominations were for music.  Those are categories where many films get their one and only nominations.  As it was, they were more honoring another recent winner in A.R. Rahman than honoring the film.  This fits in a similar category as Cast Away.  Franco deserved his nomination (despite the Oscars), and the film deserved some recognition, but not Hollywood's highest honor.
Nomination Grade: C


American Hustle
(2013)
10 nominations
Picture
Actor - Christian Bale
Actress - Amy Adams
Supporting Actor - Bradley Cooper
Supporting Actress - Jennifer Lawrence
Director - David O. Russell
Original Screenplay
Production Design
Costume Design
Editing

Of all the films on this list, American Hustle deserves to be here.  Its 10 nominations are tied for second most of all time for a film to get shut out.  It achieved a true rarity by getting nominated in every major category (Picture, Director, Screenplay, and all 4 acting categories).  The ironic thing is it was the second year in a row David O. Russell pulled off this feat.  It is also amazing how close this movie was to not being on this list.  Jennifer Lawrence was an Oscar favorite through much of the awards season, and it would not have been a surprise if the film walked away with the Best Picture honor.  Instead, it walked away with nothing, but it definitely deserves to be called a Best Picture nominee.
Nomination Grade: A+


True Grit
(2010)
10 nominations
Picture
Actor - Jeff Bridges
Supporting Actress - Hailee Steinfeld
Director - The Coen Brothers
Adapted Screenplay
Cinematography
Art Direction
Costume Design
Sound
Sound Editing

This is one of the films American Hustle is tied with.  The Coens are almost guaranteed to get some serious recognition whenever they put out a movie, even if it is a remake of a beloved classic John Wayne western.  Although this one wasn't as deserving as American Hustle (no editing nom, not as many acting noms), it still belongs in the Best Picture discussion.  You have the recent winner getting recognized again in Jeff Bridges, the directors of a recent Best Picture winner getting honored again for producing, directing, and writing, and you have the fact that the Academy loves westerns.  Everything about this film screams award worthy, except for the fact that it didn't win any.
Nomination Grade: A


After looking at all these films, let's ask the question again.  Has it worked?  I think they have succeeded in drawing the public's attention to more quality films that the masses otherwise would not have heard of.  There have been very few instances where the big blockbusters have garnered extra recognition by being nominated.  I think this is partially because very few of the big blockbusters this decade have been high quality enough to be recognized in this way.  I think the recent rules for Best Picture are much better for honoring the movies that deserve it.  If you noticed, there were no 2014 films on this list as all 2014 Best Picture nominees walked away with at least one Oscar.  Rumors are beginning to swirl that the Academy is considering changing their rules for Best Picture once again.  Although I did like the group of five every year, I also appreciate the need to expand with the ever-expanding industry.  The current rules ensure no more films like The Blind Side end up as an Best Picture nominee (although Extremely Loud & Incredibly Close made it under the current rules).  I would like to see the rules stay the same.  However, it will be interesting to see what we talk about when it comes to Best Picture nominees at the end of this decade.  Either way, these 14 films are now immortalized in exclusive company whether they deserve it or not.

Thursday, September 5, 2013

2014 Oscar Predictions: September

Since my last Oscar predictions article in March, a lot has happened to shake up the race. A handful of contenders have already gotten their early release that will probably negatively impact their Oscar chances. We are also still eagerly awaiting trailer arrivals of our last two legitimate frontrunners Foxcatcher and Labor Day. Usually the longer the film stays out of the public eye, the better chance it has of sustaining buzz throughout awards season. So, good news for those two films, I guess. My last article is going to seem a bit foolish as we sit here six months later, but that is all part of the fun of it. See how the race is shaping up below:

BEST ADAPTED SCREENPLAY
The Predicted Five
1. Labor Day – Jason Reitman – The movie sounds like something that could be this year’s Little Children or something. It needs a trailer to cement its status in the major categories, but Reitman is becoming one of the more beloved writer-directors of our time.
2. The Wolf of Wall Street – Terence Winter – Everyone loves Boardwalk Empire. It is a Scorsese movie. It seems like a near lock in this category.
3. Before Midnight – Richard Linklater, Ethan Hawke, Julie Delpy – The previous installment was nominated here, and this is even more of a screenplay achievement. With a good DVD campaign, this nomination should be a no-brainer.
4. Foxcatcher – E Max Frye, Dan Futterman – A writer on Band of Brothers and the writer of Capote combine for this potentially fascinating character study. If it is any good, this nomination will come flying its way.
5. 12 Years a Slave – John Ridley – This movie has a lot going for it. I could see it being a potentially huge Oscar movie. This nomination should be no problem for the previously unaccomplished veteran writer.
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Others in contention
6. The Fifth Estate – Josh Singer – The movie is very timely and seemingly intense. Screenplay seems like the film’s best shot at hitting at the Oscars.
7. The Monuments Men – George Clooney, Grant Heslov – The movie’s trailer was brilliant, but sort of hurt its Oscar chances. This seems to be more of a blockbuster, almost in a Gangster Squad kind of way. Hopefully it is better than that, but screenplay is its perceived ceiling at this point. But then again, it is George Clooney…
8. Captain Phillips – Billy Ray – The movie is going to take place solely on a boat, which will make the writing vital to its success. I like its chances here.
9. August: Osage County – Tracy Letts – Screenplays based on plays are not recognized here often, but the movie is going to be a big hit.
10. (Lee Daniels’) The Butler – Danny Strong – Everyone seems to really like Strong’s writing, and the movie is one of the underdog contenders for the top prize.
11.  The Secret Life of Walter Mitty – Steve Conrad – The movie surprised everyone with its trailer. Even if it hits, this might be an uphill climb for the film. It is still in the running, though.
12. The Spectacular Now – Scott Neustadter, Michael H Weber – Nostalgic movies like this do not get recognized often, but this could be the best chance for an indie hit to get in this year.


BEST ORIGINAL SCREENPLAY
The Predicted Five
1. American Hustle – Eric Singer – It is probably the frontrunner for the big prize. A screenplay nom should be easy, and the win seems likely for the relative newcomer.
2. Inside Llewyn Davis – Joel Coen, Ethan Coen – Screenplay nominations are the base recognition for the Coens. The other categories are the ones that are really in question.
3. Fruitvale Station – Ryan Coogler – Even if they do not want to give major category love to the movie, screenplay seems like an easy way to express appreciation for the film and the young debut writer-director.
4. Blue Jasmine – Woody Allen – His drama movies are usually even more of a lock for screenplay than his comedies. This should be an easy nomination for Woody.
5. Parkland – Peter Landesman – If the movie is as good as it looks, then a screenplay nom should be assured just for handling that many different characters well.
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 Others in contention
6. Saving Mr. Banks – Kelly Marcel, Sue Smith – The movie is going to be a big hit. Even if it is a bit light, the Academy gives screenplay nominations to the movies they love. This promises to be one of those films.
7. Rush – Peter Morgan – Every time Morgan writes a movie, we should pay attention. I don’t know how awards friendly the movie will be, but the historical Ron Howard movies have been hugely successful in the past.
8. Gravity – Alfonso Cuaron, Jonas Cuaron – With a movie as isolated as this one, it is going to be all about the writing to determine whether it is believable.
9. All Is Lost – JC Chandor – Same as Gravity.
10. The Counselor – Cormac McCarthy – His novels make great movies. We will see if his screenplays do the same.
11.  Kill Your Darlings – Austin Brunn, John Korkidas – The movie looks like it could suffer the same unfortunate fate as On the Road last year, but it has a great trailer and a terrific young cast. It looks sophisticated and well-written.
12. Don Jon – Joseph Gordon-Levitt – It may be too dirty for the Academy, but it looks amazing. This would be an awesome nomination.


BEST ACTRESS IN A SUPPORTING ROLE
The Predicted Five
1. Jennifer Garner – Dallas Buyers Club – She still has got to be the frontrunner, especially after the trailer. She and her hubby Ben Affleck are in the news all the time. That usually helps.
2. Shirley MacLaine – The Secret Life of Walter Mitty – She is in one of the frontrunners and she hasn’t been nominated in 29 years. She seems like a safe bet.
3. Oprah Winfrey – The Butler – Ever since I saw the cast for this movie, I suspected she would get nominated. That hasn’t changed.
4. Cameron Diaz – The Counselor – She is always in and around awards movies, but she has yet to get the big Oscar nom. This looks like her best chance yet, even better than Vanilla Sky and Being John Malkovich.
5. Jennifer Lawrence – American Hustle – She looks great in the trailer. She is going to be talked about all year again with Catching Fire coming out. Look for a third nom for the 23 year old megastar.
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Others in contention
6. Elizabeth Olsen – Oldboy – She has one of the best parts in the movie. I can’t wait to see what Spike Lee does with it/her. If she nails it, she could easily slide in.
7. Octavia Spencer – Fruitvale Station – She is emotional and subtle. It is not a typical Oscar role, but she is fantastic and the category is sort of thin.
8. Carey Mulligan – Inside Llewyn Davis – She has had a handful of worthy roles, but she still has just that one nom. The Coens could carry her to her second.
9. Sally Hawkins – Blue Jasmine – She was outstanding in her supporting role. Woody does wonders for his supporting women. If the Academy really likes the movie, look out for a potential win for Hawkins.
10. Scarlett Johansson – Don Jon – She looks like she nails the look and accent of New Jersey white trash. It would be a cool and atypical choice for the four-time Golden Globe nominee.
11. Marcia Gay Harden – Parkland – In the terrific ensemble, I suspect that a former winner like Harden has the best chance of getting singled out.
12. Emily Watson – The Book Thief – The movie sounds very Oscary, and she hasn’t been invited back since 1998. That should change.
13. Kim Basinger – Third Person – She is being directed by Paul Haggis. She hasn’t been nominated since her win in 1997. Oscar always loves to validate wins with nominations later on.
14. Cate Blanchett – The Monuments Men – She looks like the standout in the movie. It might not be serious enough to be a big Oscar movie, but she is Cate Blanchett. Everyone loves her. A double nom is possible.


BEST ACTOR IN A SUPPORTING ROLE
The Predicted Five
1. Tom Hanks – Saving Mr. Banks – Hanks playing Walt Disney is a heavenly casting choice. We will see if it lives up to the hype. Either way, a first career supporting nom should be easy for him.
2. John Goodman – Inside Llewyn Davis – Everyone seems eager to finally throw him a bone. He is the best part of the trailer. The Coens have a gift for writing amazing parts for him. I love his chances.
3. Daniel Bruhl – Rush – He is going to have a breakout year with this and The Fifth Estate. His part here is said to be great and show-stealing.
4. Jared Leto – Dallas Buyers Club – He could get the nom just like Jaye Davidson did for The Crying Game playing a similar part. He looks scary realistic in this role. If the Academy can get over the perceived grudge against him, his nom seems secure.
5. Michael Fassbender – 12 Years a Slave – It seems like every year I am writing about him getting his first nomination. The villain role in one of the frontrunners seems like his best chance yet.
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Others in contention
6. Bradley Cooper – American Hustle – He has the villain-type role, which Oscar will love. He also had his best work in The Place Beyond the Pines. He may snatch up his second nom in as many years.
7. Paul Dano – Prisoners – He looks positively frightening in that movie. He was probably in the top 10 or so for There Will Be Blood and Little Miss Sunshine, so the Academy will not feel too opposed to giving the talented young character actor his first nom.
8. Matthew McConaughey – The Wolf of Wall Street – It appears to be his year. A potential double nom would ensure that he wins for one of them.
9. Matthew McConaughey – Mud – It is still one of the safest and best reviewed movies of the year. He How much has the Academy warmed up to him?
10. Mark Ruffalo – Foxcatcher – He seems to be the one of the three leads most likely to go supporting. He is likely going to have a very sympathetic role, which will be against type. I am beyond intrigued by the casting in this film.
11. Barkhad Abdi – Captain Phillips – The more trailers I see for the film, the more his role seems to be more than just a one-note throwaway villain role. If the movie is really popular, looks for the Academy to try to get another newcomer invited to the ceremony.
12. Woody Harrelson – Out of the Furnace – The movie has some quiet buzz, but judging by the trailer, he seems to have the role to still be in contention.
13. Will Forte – Nebraska – He could get swept in with the love for the film. Some have said that he is co-lead with Bruce Dern, but he will wind up being campaigned in this category.


BEST ACTRESS IN A LEADING ROLE
The Predicted Five
1. Emma Thompson – Saving Mr. Banks – I think that the two-time winner is still the favorite in the category. The movie seems light, but she looks terrific in it. It is rare that Best Actress goes to the gutsiest role (except in 2010), so she has got to be the frontrunner at this point.
2. Judi Dench – Philomena – Her role sounds emotional and perfect for her. She gets nominated for everything.
3. Meryl Streep – August: Osage County – She has been shifting between lead and supporting, but she will eventually land here and maybe win her fourth.
4. Kate Winslet – Labor Day – She seems to get nominated whenever she has a really good role. This movie seems to be written for her, which Reitman has admitted that he does often.
5. Cate Blanchett – Blue Jasmine – Dench, Strepp, Winslet, Blanchett…it is Oscars circa 2006 all over again. She has the mentally unstable character and maybe the best Woody Allen leading female since Annie Hall. She is a lock for a nom, but a win seems unlikely.
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Others in contention
6. Amy Adams – American Hustle – She is said to have the best role in the movie. She could be the Jessica Chastain of this year, or they could just make her continue to wait for her first leading nomination.
7. Marion Cotillard – Lowlife The Immigrant – I still think she will be a threat, even if the movie is not as popular as it first promised to be. She plays the stripper role, which Oscar always loves.
8. Julia Roberts – August: Osage County – She will likely split votes with Streep, but perhaps the movie will be popular enough that they both get in.
9. Berenice Bejo – The Past – Her role sounds terrific. Maybe the voters are still enough in love with The Artist and A Separation that they will want to nom her.
10. Naomi Watts – Diana – The movie looks way too conventional, but that doesn’t always stop the voters. It seems like a dream casting for Watts.
11. Nicole Kidman – Grace of Monaco – I do not completely buy her playing Grace Kelly, but she has been cited as being incredible in the role. Oscar still loves her.
12. Sandra Bullock – Gravity – It is said to be all Bullock in the movie. She seems poised for a second nom soon.
13. Chloe Grace-Moretz – Carrie – If the Academy wants to go for cool and outside the box like when Sissy Spacek was nominated for the same role, then this would certainly have people talking.


BEST ACTOR IN A LEADING ROLE
The Predicted Five
1. Matthew McConaughey – Dallas Buyers Club – The trailer confirmed that McConaughey is going after the Oscar. The role appears to be his most difficult ever, and he is the hero of the story. Sounds like Oscar cannot resist…if they feel he has finally paid his dues.
2. Forest Whitaker – The Butler – His last win has undoubtedly left some goodwill with the voters. He is said to carry this star-studded movie. I think a nom for him is assured.
3. Bruce Dern – Nebraska – There was debate on whether he was lead or supporting. Either way, it seems like a role that cannot miss with the voters. With all of his great work in his career, he still only has that one supporting nom for Coming Home. That is about to change.
4. Robert Redford – All Is Lost – He needs a second acting nom, and this Cast Away-ish role seems like a “can’t miss” with Oscar voters.
5. Chiwetel Ejiofor – 12 Years a Slave – He should have gotten in by now, but this role looks like his best ever. Even if the film is not beloved, look for him to show up throughout the precursors a lot like Fassbender did for Shame and make a run at a nom anyway.
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Others in contention
6. Idris Elba – Mandela: Long Walk to Freedom – There is not any real reason as to why he lost the top spot, other than his movie looks a bit more conventional than I was hoping for. Sometimes that is just what the Academy is looking for, though.
7. Josh Brolin – Labor Day – His role sounded like a lock when he was supporting, but if he is lead, that type of role is a much tougher sell.
8. Steve Carell – Foxcatcher – I want so bad for him to be incredible in the movie. Give me a trailer already so I can cement him in my top 5! If he is supporting, then he is getting in anyway.
9. Christian Bale – American Hustle – He looks almost unrecognizable in the trailer (surprise, surprise…). He is one of the hottest actors going right now. He will get his votes.
10. Hugh Jackman – Prisoners – The movie looks campy, but it could be our next great revenge thriller. Everyone seems to love Jackman. Why not a second consecutive nom?
11. Oscar Isaac – Inside Llewyn Davis – If he were a bigger name, I would think that he is a lock. We will see how many reviews single him out to determine his eventual fate in this category.
12. Tom Hanks – Captain Phillips – He is going to be in the spotlight all awards season with this and his supposedly supporting turn as Walt Disney. This does not seem to be too far out of his comfort zone, but he is Tom Hanks, so he is in contention.
13. Michael B. Jordan – Fruitvale Station – He is the best thing from the first half or so of the year. The movie will regain some buzz in the next month or so with the DVD release. Hopefully voters see it. He and the film are kind of terrific.
14. Leonardo DiCaprio – The Wolf of Wall Street – DiCaprio still only has three nominations somehow. The role appears a bit too Gatsby-ish. That could hurt his chances.
15. Ralph Fiennes – The Invisible Woman – There really is no word on the status of this movie, but Fiennes has had some incredible work recently and hasn’t gotten invited back since The English Patient. Playing Charles Dickens could finally be his ticket back to the show.
16. Channing Tatum – Foxcatcher – The stills we have seen suggest that Tatum is getting back to his A Guide to Recognizing Your Saints authentic acting, which was one of the best performances of 2006. He is billed as lead, which will be difficult for members to vote for him. He can carry the movie though.


BEST DIRECTOR
The Predicted Five
1. David O. Russell – American Hustle – David O. Russell has been close to winning this his last two times out. If this is as popular of a movie as it could be, then he could potentially win here even if his film isn’t Best Picture material. It appears the Academy has completely forgotten about what a jerk he used to be to his actors…
2. Jason Reitman – Labor Day – I will continue to hype this movie until I am proven wrong. Reitman is at his best when he is totally in control. His directions are always a bit more sophisticated and showy than they need to be. Oscar likes that.
3. Joel Coen, Ethan Coen – Inside Llewyn Davis – It doesn’t matter what the movie is. The Coens make a movie, and they get put in this category. They are our generation’s Billy Wilder.
4. Steve McQueen – 12 Years a Slave – The Academy would love to recognize a director like McQueen with an Oscar nom. He would be just the third black director nominated in the category, but few of them have the prestige of McQueen with his first two indie hits.
5. Martin Scorsese – The Wolf of Wall Street – If Marty’s picture is in or around a Best Picture nomination, then he will get nominated here. The trailer just looks too good to be true. Maybe it could turn into his next Casino and just be a more commercial hit, but I am expecting greatness.
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Others in contention
6. Peter Landesman – Parkland – The film appears to be a good bet for recognition from the acting branch. Will they really nominate a director whose only other feature was the largely unseen cable-ish drama Trade? Maybe. They have done crazier things before, like snubbing Ben Affleck.
7. Bennett Miller – Foxcatcher – He was left off for Moneyball, and in some ways this could be another sports movie. Those are an easy sell for BP, but for directors, it is trickier. This could be more of a Raging Bull-type seriousness if the subject matter is any indication.
8. Ben Stiller – The Secret Life of Walter Mitty – They were not ready to nominate Affleck in this category even though his film dominated all of awards season. What about Stiller? His most Oscar-friendly movie was… Reality Bites? Or Tropic Thunder? Unless his film really is as good as it could be, then he will get left off.
9. Lee Daniels – The Butler – He is a previous nominee, which could help his cause. Weisntein will keep his name and film in our memories until nomination morning.
10. John Lee Hancock – Saving Mr. Banks – After The Blind Side, voters may want to recognize him individually. Plus his film has Oscar written all over it. He could be a dark horse for the prize.
11. Paul Greengrass – Captain Phillips – He has been nominated once before and all of his films seem to have a signature pace and look. Clever and intense editing is often mistaken for great direction. Lucky for Greengrass, he consistently has both.
12. Woody Allen – Blue Jasmine – He is nominated a lot even when his film is not. I would not be shocked if he somehow sneaks in.
13. Alfonso Cuaron – Gravity – This is our best chance since the Best Picture expansion of having a Director nominated without his film. If the film succeeds, it is all going to be because of Cuaron. He deserves a mention in this category at some point. Why not this year?


BEST PICTURE
The Predicted Ten (I predict 9 will get nominated)
1. American Hustle (David O. Russell) – This movie has the trailer, A-list cast, and director to justify the frontrunner status. There are going to be a bunch of voters who think Silver Linings should have won last year, so this film is going to have everyone’s attention.
2. Labor Day (Jason Reitman) – We are still without a trailer. Reitman’s last film was the underwhelming Young Adult, but this is his baby. The last one he wrote and directed was Up in the Air, which by some fluke went winless despite six nominations.
3. The Secret Life of Walter Mitty (Ben Stiller) – I have never really been as surprised by a trailer as I was by this one. It was sort of on my radar for an acting nom back in March, but the trailer shot it up to a potential frontrunner. It could be our generation’s Forrest Gump.
4. Inside Llewyn Davis (Joel Coen, Ethan Coen) – The Coens are regulars in this category as well as every other one. The more of this film we see and get word of, the more it seems like a BP lock.
5. Foxcatcher (Bennett Miller) – We still need the trailer, but we have gotten a few stills from the movie that look incredible. Miller’s previous two films were nominated here. Look for three straight unless it is a huge letdown.
6. The Wolf of Wall Street (Martin Scorsese) – Scorsese has had four of his last five nominated for all of the important categories. The trailer is hilarious and brilliant. I cannot see this missing out. There is just too much talent involved.
7. The Butler (Lee Daniels) – This is one of the big Weinstein box office surprises. It is little overachieving movies like this that wrap up mass nominations.
8. 12 Years a Slave (Steve McQueen) – McQueen has made two great films in a row. This appears to be his third and definitely his most awards friendly movie. As long as it gets a legitimate box office, it should be in.
9. Parkland (Peter Landesman) – The trailer looks like the JFK version of Bobby, which everyone seemingly has forgotten about. The Golden Globes loved Bobby, but this looks better, even if the cast are not really Oscar regulars.
10. Dallas Buyers Club (Jean-Marc Vallee) – The trailer made it out to be a bit more Citizen Ruth than I would have expected, but it is McConaughey’s time. He could carry this film into the spotlight and Best Picture lineup if marketed correctly.
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Others in contention
11. Before Midnight (Richard Linklater) – The early release date may have killed this movie. We will need to see some precursor love like its predecessor had for it to make the final group.
12. Saving Mr. Banks (John Lee Hancock) – It is definitely a Disney movie. It is going to be light, predictable, funny, and beloved by a bunch of gutless, risk-averse Oscar voters.
13. Captain Phillips (Paul Greengrass) – It has everything that the Academy should love. It appears to be in for a giant box office. Greengrass deserves his first venture into this category.
14. Blue Jasmine (Woody Allen) – He has never really been a regular in this category, but the film might once again be his most commercially successful film. Plus it has the mentally unstable lead character that voters love so much.
15. Fruitvale Station (Ryan Coogler) – The buzz on this film has quieted recently, but Weinstein should reignite the flame in the next couple months with its video release and campaign.
16. Rush (Ron Howard) – This is one of the under-the-radar films in the group. It looks great and it has a dynamic young cast, but no one is really taking it seriously. Peter Morgan and Ron Howard is a killer combo. This could surprise.
17. August: Osage County (John Wells) – I am still not sold on its major Oscar merit, but we will have to see how much they love Streep and if the film is better than Wells’s last film The Company Men.
18. Gravity (Alfonso Cuaron) – Science-Fiction is not the easiest sell with the Oscars, especially since it is basically a solo venture for Bullock. Last one of these was Moon, which was ridiculously overlooked everywhere. Clooney and Bullock seems like a can’t-miss, though.
19.  The Book Thief (Brian Percival) – This could be the next Little Boy, which I hyped up only to not see it ever get released. This actually has an arrival date and a director who worked on Downton Abbey. It is about World War II. Sounds like a potential contender to me...
http://vogueent.com/news/wp-content/uploads/2012/12/oscar-statue.jpg20. Philomena (Stephen Frears) – It is Oscar-friendly material with British producers and actors. I could see this rising up in the coming months.
21. Nebraska (Alexander Payne) – It may not perform any better than The Straight Story or Harry and Tonto, but with more than five nominees, those could have made the cut too. Payne is recognized often. This film will show us how much they really love him.


There you have it. Comments? Thoughts? Overlooked films? Predictions? Let me know below.