Showing posts with label Les Miserables. Show all posts
Showing posts with label Les Miserables. Show all posts

Saturday, March 23, 2013

Terry's Top Ten Films of 2012

It always takes me a little longer to get my top 10 list of the year out than my two companions.  This is mainly because I have more trouble finding time to view the top films of the year before the come out on DVD.  Eventually I see them all and am able to put out a strong top films of the year.  This last year was one of those years where I think the Academy got it pretty right with who they honored at the Oscars.  This not only makes for a much more enjoyable Oscars ceremony, but also gives me increased faith in the awards systems.  Eight of the Best Picture nominees can be found in my top ten.  The one that is not I have yet to view (Beasts of the Southern Wild) but I feel confident enough in the ten that I have to go with it without viewing this one yet (Update: I saw Beasts and it did not crack the list).  So far, I have given out nine 4 star ratings for 2012 which is my lowest total since 2009 when there were eight 4 stars.  However, with that said, I believe this was a good year for movies because of the quality of the these ten movies at the top.  With all that said, here is the list.

Honorable Mention
The Hobbit: An Unexpected Journey
Haywire
Skyfall
This Is 40

10.  Amour (Dir. by Michael Haneke)
Let me start by saying this type of film is not my cup of tea.  I am usually not a fan of quiet subtle character studies.  I usually differ to Todd or Zach to discuss the greatness of this genre.  However, Haneke's latest achievement about an elderly couple dealing with the trials and struggles of the twilight years impressed me so much I had to put it on my list.  I still didn't necessarily "like" this movie in the traditional sense of the word, but I was fascinated by it and by the beauty of its subtlety.  The screenplay is brilliant because of everything it doesn't say.  There isn't much plot in the story, but most of the events that advance the plot are not seen or heard.  The film is not about what is happening, but about how people react to and cope with those events.  The beauty is in the non-verbals which led to two amazing performances from the Oscar-nominated Emmanuelle Riva and Jean-Louis Trintignant.  If nothing else, this film shows the incredible artistry of a unique filmmaker.

9.  The Avengers (Dir. by Joss Whedon)
This is probably the closest thing to a polar opposite that you could find to the last film on the list.  However, I would be lying if I didn't say the superhero mega-movie event wasn't one of the most enjoyable movie-going experiences of the year.  Individually, some characters made decent films (Iron Man, Captain America: The First Avenger) and some didn't (Thor) but together they made an explosive team that saved the world.  I could watch this movie over and over and over again.

8.  Lincoln (Dir. by Steven Spielberg)
I love a good historical drama.  When you add to that one of the better directors of the last 30 years, one of the best actors of the last 25 years, and one of the most beloved characters in American history, you are bound to have a masterpiece.  That is exactly what this combination brought.  Daniel Day-Lewis once again gave a career-defining performance (I believe this makes 5 career-defining performances for him) as he became the embodiment of the character instead of simply playing him.  Add to that some of the best supporting performances of the year from one of the most impressive casts of the year, and you really can't find anything to complain about.

7.  Les Miserables (Dir. by Tom Hooper)
When I heard they were making a movie version of my favorite musical of all time, my only reaction was, "Don't screw it up."  What I realized after watching the film was you really can't screw it up.  It was not a perfect movie.  I had some issues with some of the casting decisions and some of the performances, however when it came down to it the story is so good and the music tells the story so well that less than perfect still produced a masterpiece.  I give Tom Hooper a lot of credit for this because he realized the best way to bring this musical to the screen is to not mess with what made it a great musical, and that is the music.  By keeping the singing throughout and allowing the actors bring their characters to life through song, it gave the film the emotion and epic scale that makes the musical so beloved.

6.  Looper (Dir. by Rian Johnson)
This was one of the best kept secrets of last year.  However, by the time saw this movie, I had heard from everyone that had seen it that it was the most underrated film of the year.  So the hype had definitely built up.  With that said, it lived up to all the hype.  What a unique and original movie!  As all great sci-fi films do, it establishes its reality quite well, but what makes this one stand out is the reality we are forced to live in for two hours.  The unique and fascinating premise is so thought-provoking in itself that when the plot starts taking its twists and turns, you are hooked and on the edge of your seat for the duration.  Looper redefined time travel movies in a way District 9 a few years ago redefined alien movies.

5.  Django Unchained (Dir. by Quentin Tarantino)
It seems that no matter when Tarantino makes a film, it ends up on my top films of the year no matter how ridiculous the film is.  Django is a perfect example.  If you were to hear about a film with this premise, you would think it was a joke.  A slave right before the Civil War is freed to work with a bounty hunter to hunt down and kill slave owners.  What a terrible sounding, offensive movie!  This film should never be made!  Then you're told that Quentin Tarantino is making it.  All of a sudden it becomes one of the movie events of the year and a soon-to-be masterpiece.  It almost seems like Tarantino wants to see how far he can push it before he gets run out of Hollywood.  This will never happen though.  First, Tarantino would run away from Hollywood before he would be considered a part of it.  Second, he makes films in a way no one else does.  His screenplays and dialogue are so unique and his plot lines are so original, he has practically created a genre of his own.  Because of that, every time we see Tarantino work we see something we have never seen before.  This is what makes films like Django so great.  I'm sure if we saw films like these everyday then Tarantino wouldn't wow us so much.  But we don't, so they do.

4.  Zero Dark Thirty (Dir. by Kathryn Bigelow)
It is rare that such a moment of recent history is brought to the screen so quickly and so effectively.  Kathryn Bigelow has built a reputation for herself that I don't think anyone else should ever make a film about the Middle East besides her.  I really don't like a lot of the movies that are coming out about the wars in the Middle East, but Bigelow has now succeeded in making two masterpieces on the subject.  This film about the hunt for Osama Bin Laden is so honest and suspenseful that it draws you in from the very first scene.  The last half hour of the movie is one of the greatest war sequences I have ever seen.  It is definitely a film that takes you for a ride.

3.  Life of Pi (Dir. by Ang Lee)
This film surprised me more than any other this year.  I knew nothing about it going in except there was a boy, a boat, and a tiger.  I also knew that it was getting more recognition than I looked like it should by the awards season.  I couldn't have been more wrong.  Yes, it is a story about a boy, a boat, and a tiger, but it is so much more than that.  It is a story about faith, survival, and imagination.  And when you put an imaginative story like this into the creative hands of Ang Lee, you are bound to have one of the greatest movie experiences you can find.  I loved everything about this movie.  The story is incredible, which you almost forget about because the film is so beautiful to watch which is a given when Ang Lee is at the helm.  On top of all this, the film ends in a way that keeps you thinking for days.  It is one of those films where you need to have a discussion with someone to debrief after you are done watching it.  This is a film I will never get tired of talking about.

2.  Silver Linings Playbook (Dir. by David O. Russell)
Out of all the films on this list, this is the most human story with the characters you relate to the most with the best overall acting job of the year.  This film about a bipolar finding his way to be normal in the world is quirky, heartbreaking, funny, serious.  In short, it is life.  Few films capture life in all its dynamics like this does.  In a lot of ways (and my counterparts will hate me for this), it is a lot like Sideways in this way.  There is a real life story told with flawed, complete characters in a way real life actually is.  However, Silver Linings would have been nothing if not for its stellar cast.  Bradley Cooper and Jennifer Lawrence show they can do a lot more than what the general public recognize them for, and when you can round out your cast with a living legend you have a perfect cast.  I know some of you were thinking the living legend was Chris Tucker, but it's not.  It was Robert De Niro.

1.  Argo (Dir. by Ben Affleck)
If any of you have read any of my other posts or know what my favorite movies are, you will know that my all-time favorite type of movie is a 20th Century American History film.  Whether it's Apollo 13, A Beautiful Mind, or Frost/Nixon, there is something about this time period that appeals to me.  Argo is the latest film I can add to this list.  Ben Affleck is quickly becoming one of the best directors we have with this film being his masterpiece about the rescue mission of the Americans who escaped before the hostages were taken in Iran.  This movie feels like an instant classic, and instantly became one of my favorite movies of the last number of years.  I really don't know how to describe it other than: awesome.

Wednesday, February 20, 2013

Oscar Breakdown and Handicapping: Best Actor

With the exception of last year and (sort of) 2008, when we at least had a two horse race for the award, this category has been uncompetitive since 2003. This year is no different. Check out the contenders’ cases for winning and their overall odds below…

5. Denzel Washington – Flight
Notable awards: none
Notable nominations: BFCA, Golden Globes, SAG
Case for the Oscar: This was an obvious nominee, but there is just no chance that he is winning this. His role called for a much different side of Washington than we are used to seeing, but the movie was a bit ridiculous and went too light when it could have really dug into the character study elements that would have left Washington with no choice but to bring it. It is a fine performance, but the other contenders have much stronger cases. Even though he is one of the most popular actors in the world, I cannot see him getting a third before Day-Lewis gets his third.
Oscar Doppelganger: 1991 Best Actor: Robert De Niro. This was a commercially popular film that got solid reviews, yet there was a portion of audiences that hated it. The nomination here was an easy choice, but going up against a juggernaut and having no real signature wins throughout awards season caused the universally popular two-time winner to have no real chance going into the ceremony. His nomination was his reward.
Odds of winning: 150/1
4. Joaquin Phoenix – The Master
Notable awards: Los Angeles Critics
Notable nominations: BAFTA, BFCA, Golden Globes
Case for the Oscar: He gave the best performance of the year. His role is filled with Oscar scenes. He pushed himself further in this role than anyone did in 2012. However, his movie did was not a hit with the Academy. He expressed his hatred for the entire awards process. He gave a 2 hour middle finger to Hollywood with I’m Still Here. If the Academy is being honest, then Phoenix will win. They won’t, so he won’t.
Oscar Doppelganger: 2011 Best Actress: Rooney Mara. The movie was well-received from critics and from a portion of audiences. She missed out on the SAG nomination, causing many people to doubt her chances at the Oscar nom. The Academy wound up having enough people who are still trying to awarding the best achievements in film, so the nomination came. Going up against a legend and a couple more performances in much more popular films restricted her from taking home her Oscar.
Odds of winning: 75/1
3. Hugh Jackman – Les Miserables
Notable awards: Golden Globes (Comedy/Musical)
Notable nominations: BAFTA, BFCA, SAG
Case for the Oscar: He is a very popular guy. He has even hosted the show, which was fairly well-received. That one moron lady one the Oscar nominations telecast called it “probably the most mind-blowing performance I have ever seen”. So, even though his singing is really awkward, he clearly captured a wide audience. Missing out on the Directing and Screenplay categories shows that the film is not as popular as it should have been on paper, but his performance has been singled out as being one of the year’s best. It is hard to imagine him winning an Oscar, considering he has never really been in a good movie outside of the first two X-Men flicks, but role is just so much Oscar bait that if they are not going to give DDL his third, then this has about as good of a chance as anyone.
Oscar Doppelganger: 1966 Best Actor: Steve McQueen. A bit of a strange comparison, I know. He was one of the more popular actors around. He had several better roles, but this effortless role in an Oscar movie is the one that broke him through to get his only nomination. He probably got a fair amount of votes, but the winner was obvious and predetermined.
Odds of winning: 50/1
2. Bradley Cooper – Silver Linings Playbook
Notable awards: National Board of Review
Notable nominations: BAFTA, BFCA, Golden Globes (Comedy/Musical), Spirit Awards, SAG
Case for the Oscar: He is a rising star, and this role proved to all of the skeptics that he actually can act. He is in the favorite of the acting branch of the Academy, which is the largest portion of the population. The movie could be a surprise winner for the major awards, which just might be enough to sweep in its star to officially start the career of a future megastar and leading man in Hollywood for the next several decades.
Oscar Doppelganger: 1989 Best Actor: Tom Cruise. He had already won over audiences with his box office hits, but playing against type for one of the more respected directors of his time brought him his first, well-deserved Oscar nom. His film was one of the favorites for the top prizes, and despite the presence of the obvious favorite Daniel Day-Lewis, he was able to win over audiences and change everyone’s opinion about him. This nomination essentially started the career of one of the biggest stars we have ever seen.
Odds of winning: 30/1
1. Daniel Day-Lewis – Lincoln
Notable awards: BAFTA, Boston Critics, BFCA, Chicago Critics, Golden Globes (Drama), National Society of Film Critics, New York Critics, SAG
Notable nominations: none
Case for the Oscar: He is going to win again. It is incredible to think about his career, which essentially started a couple years before his Oscar win in 1989. He has only made 10 films since then, including this, his third Oscar win. He never really seems to wear on audiences or voters either. Watching him accept the awards on stage, it just seems like we are watching a walking legend, one so quiet and reserved that it is unbelievable that he turned into Bill the Butcher, Christy Brown, and Daniel Plainview. This role basically decided won him the Oscar the moment the poster came out. He then managed to blow everyone away and exceed expectations. This award is one of the 2 or 3 biggest locks of the year. It is difficult to compare anyone to DDL, since no one has ever won 3 Best Actor awards, let alone winning 3 times in an 11 film span. We should all just sit back and enjoy his career while it lasts and eagerly await the announcement of his next project.
Oscar Doppelganger: 2007 Best Actor: Daniel Day-Lewis. He was the favorite the moment the trailer came out. He dominated awards season, with the exception of losing the first one, the National Board of Review. His film was nominated in all the right places but was probably never going to win in any of them except for lead actor.
Odds of winning: 1/50

Previous articles:

Thoughts? Comments? Coming soon: Best Director!

Tuesday, February 12, 2013

Oscar Breakdown and Handicapping: Best Supporting Actress



This category has not really been competitive in a few years. Octavia Spencer, Melissa Leo, Mo’Nique, and Penelope Cruz were all foregone conclusions after the nominations were announced. This year is no different. Aside from Best Actor and Best Foreign Language Film, this may be the easiest category to predict. Unless there is some flair up gaining steam a la Alan Arkin over Eddie Murphy in 2006, then this category is over.

5. Jacki Weaver – Silver Linings Playbook
Notable awards: none
Notable nominations: none
Case for the Oscar: Clearly, she is the product of the Harvey Weinstein freight train. If Silver Linings Playbook is going to win Best Picture (which I still feel is possible), then she could get swept along with it. She was just nominated two years ago, so clearly she has been able to capture a lot of fans in a relatively short amount of time in American movies. It would be a shock and a little silly if she wins for this movie, but she probably should have won for Animal Kingdom, so maybe this could be a retrospective award. Oh, who am I kidding? She has no shot.
Oscar Doppelganger: Best Actor 2004: Clint Eastwood. After receiving exactly zero mentions throughout awards season, the veteran actor who gave a fairly standard performance gets swept in by the momentum of the film. This surprise should have been the nail in the coffin for all the major categories, but we still thought that it was somewhat of a fluke and didn’t read too far into it.
Odds of winning: 125/1
4. Amy Adams – The Master
Notable awards: Chicago Critics, Los Angeles Critics, National Society of Film Critics
Notable nominations: BAFTA, BFCA, Golden Globes
Case for the Oscar: She has now been nominated 4 times in this category in the last 8 years, so at some point she has got to win one. Paul Thomas Anderson has directed several actors to nominations, making them give performances far against type, but only Daniel Day-Lewis has won. She was very popular with critics, but not so much with the major awards. If the Academy wants to give her an award, this would be a fine performance for it. I just think they are going to continue to make her wait.
Oscar Doppelganger: Best Supporting Actress 1962: Thelma Ritter. I have beaten that comparison to death, but here it is again. The movie stood very little chance in retrospect of making it into the Best Picture lineup, but it was still able to add 3 acting nominations that really were just fillers, since the acting categories had such defined frontrunners in other films. She continued to wait her turn after several nominations in this category, but her turn never came.
Odds of winning: 75/1
3. Helen Hunt – The Sessions
Notable awards: none
Notable nominations: BAFTA, BFCA, Golden Globes, Spirit Awards, SAG
Case for the Oscar: She is in one of the indie hits of the year. She is a past winner and very likable. Her performance has been cited as being one of the more difficult to play of the year, and if the Academy wants an emotional speech from someone who won’t make the audience want to rip their ears off, then this will be the performance that they will go for. They love a comeback story and giving validation wins, so this could be it. She is going to have to take down a monster performance, but due to the very quiet buzz for her film and snubs in the other categories, it seems unlikely.
Oscar Doppelganger: 1995 Best Actor: Richard Dreyfuss. This was a case of an actor who won early and then really chose weaker projects for over a decade before getting serious again. This validation nomination for a film that underperformed in terms of nominations was stuck behind a couple performances that owned awards season.
Odds of winning: 20/1
2. Sally Field – Lincoln
Notable awards: Boston Critics, New York Critics
Notable nominations: BAFTA, BFCA, Golden Globes, SAG
Case for the Oscar: She is a veteran in one of the main Best Picture contenders. She is a past winner, but hasn’t been nominated since her second win in 1984. She has the Oscar scene, and the wife/mother role in a biopic is always a popular one with the Academy. I cannot see her being 3 for 3 at the Oscars, but it is possible that she still has enough fans that she could make it happen. If Lincoln is in for a sweep, then this win would be an early indicator.
Oscar Doppelganger: Best Actor 1976: William Holden. After a couple nominations and one win for one of the generations most popular actors, he had to wait another 24 years before being awarded his next and final nomination for a film that finally gave him another chance to truly show off that talent. He was swept into the category with his immensely popular film, which got several acting nominations and multiple wins, but he really wasn’t in the running. He was really overshadowed by his costars.
Odds of winning: 15/1
1. Anne Hathaway – Les Miserables
Notable awards: BAFTA, BFCA, Golden Globes, SAG
Notable nominations: none
Case for the Oscar: She is currently on a tear, gobbling up every televised award in her way. Her performance is emotional. She sings. She dies. Oscar loves that stuff. The only thing going against her is how bad her speeches are, which probably cost her all that momentum she had back in 2008. It won’t be enough to take her down this year, since the Academy loves musicals so much. When she is not in Oscar movies, she is in terrible movies, which doesn’t help her case, but it is somewhat irrelevant. It would be a downright shocker if her name isn’t called on Oscar night.
Oscar Doppelganger: 1990 Best Supporting Actress: Whoopi Goldberg. She was in a film that really captured an audience, beloved by some, maligned by others. Her performance was the standout, and despite not much of a showing among critics, she won the important precursors and was an obvious choice for the Oscar. Her past nomination is widely considered the best performance of the year, but was overlooked in favor of an overdue veteran. All of that leftover love was definitely still in play.
Odds of winning: 1/20

Past articles:

Thoughts? Comments? Predictions? Next up: Best Supporting Actor!