Trouble with the R
Looking at the all time box office list, there are 70
PG-13 movies that have eclipsed $200 million at the box office, a rating that
has not been around as long as R. How does that compare to the movie that has
that extra f-bomb? There are 11 such movies. Of those, we have a movie about
Jesus, three sequels, four movies that spawned sequels, a couple comedies, a
war movie, and a movie released in 2012. Can anyone guess that movie? Anyone?
That’s right…Ted. Top 10 all time
R-rated movies. Seriously. That is how pathetic it is right now. The R-rated
comedy is alive and well, though. In the last 29 years, the only original ideas
that have made $200 million are Wedding
Crashers, Ted, and The Hangover. Those would not have been
nearly as big if they had held back. Then what is it about the action, sci-fi,
and horror/thrillers? Really, I am asking. The highest ranked original script
for an action picture (not historical/war movies) is Air Force One, ranked 15th on the R-rated list. This
decade? Safe House, coming in a cool
64th place. Yeah, the Denzel movie that basically no one saw. That
is the state of R-rated blockbusters right now.
What happened to The
Terminator? The Matrix? Speed? Die Hard? Rambo? When The
King’s Speech cracks the 20 highest grossing R-rated films of the 2000s,
you know there is something wrong (other than Harvey Weinstein). Unless a movie
is riding on the coattails of a previous film (The Matrix Reloaded is the second ranked R-rated flick all time),
people do not seek out the movies because they have no reason to believe that
it will be all that great. The original Matrix
can’t even crack the top 15 because of this, but a movie as bad as The Hangover Part II even comes in at
#4. Who can pull us out of this? I have a few ideas…
How can he help? Well, his only R-rated movies are Saving Private Ryan, Munich, and Schindler’s List, three movies not exactly trying to light up the box office. All he needs to do is make one of his big blockbusters, and make use the kind of realism and care that he uses in his historical movies. Imagine how much cooler War of the Worlds could have been had it been a bit darker and more disturbing. Think about Minority Report with some legitimate action sequences. Even hearing the “knock-knock” joke in a few more variations in Catch Me If You Can. I guess we will have to hold out hope for Robopocalypse to carry the torch, but I won’t count on that. He is too safe.
James Cameron

Christopher Nolan
Now, I had wanted to write this article for a long time.
I just do not understand why there aren’t any of these cool hard R movies
anymore, other than the yearly sex comedy or a Tarantino-type movie, which will
never fully win over the box office. Prometheus
came out in 2012, and I thought for sure it was going to be PG-13 and ruin any semblance
of the previous Alien films.
Pleasantly surprising, it came out as R, and it could have been PG-13. It just squeaked
by, in my opinion, and did not even break even (partially because it kinda
sucked). Not even the director of the original film in a very profitable
franchise can make it right. One of the abovementioned directors has to take
the reins.
Metal Gear?!?!
Recently, the movie adaptation of the widely popular
video game series Metal Gear finally
got some news. David S. Goyer, the co-scripter of the Dark Knight trilogy as well as the Man of Steel movie, has signed on to write the hotly anticipated
and eternally delayed film. We could not have asked for a better result. Plus,
its IMDb page lists the storyline as the “Shadow Moses” plot, which is
basically a dream come true. That story is made for the movies. I cannot even
describe how much I want to see how this shakes out. So, out of anticipation
and hours of collaborating with a few fellow Metal Gear fans, here is my dream cast for the film:
Solid Snake: Viggo Mortensen – He has the look, he
can be rough, and he would just own it.
Don’t count out: Kurt Russell (for obvious reasons), Hugh
Jackman (more obvious reasons)
Outside the box casting: Michael C. Hall
Nightmare casting: Jean-Claude Van Damme, Sylvester Stallone and the rest of the Expendables cast
Roy Campbell: Philip Seymour Hoffman – He needs a
part in every movie, and I just cannot get past how perfect he would be for
this part.
Infinite budget casting: Philip Seymour Hoffman
Meryl: Jennifer Carpenter – She would bring an
interesting presence to the important character. It would definitely be far
from Deb, but it would be beyond intriguing to see.
Infinite budget casting: Charlize Theron – She has the
physique and attitude to totally pull it off.
Revolver Ocelot: Ed Harris – He is so great at
playing a villain, so if he channels his Gone
Baby Gone or A History of Violence
self, then this will be unforgettable.
Infinite budget casting: Gary Oldman – How amazing would
this be?!
Gray Fox: Aaron Eckhart – He seems like a good
soldier-type, and obviously he can play a villain and probably pull off most of
the stunts.
Infinite budget casting: Christian Bale – Obviously,
unless they expand the hell out of his part, then there is no way this happens,
but he would be perfect.
Liquid Snake: Eric Roberts – He is such an
underrated actor, and him playing a villain as vicious and crazy as Liquid
would be something to see.
Infinite budget casting: Kevin Bacon – This is such a hard
role to cast, but he is great as a villain. I can see him being a brilliant
counterpart to Snake.
Naomi Hunter: Rosemarie DeWitt – She is still not
as famous as she should be. I can totally seeing her bringing heart to a role
that really needs it.
Infinite budget casting: Vera Farmiga – This would bring
credibility to a role that will probably not be much in the final cut.
Hal Emmerich (Otacon): Patrick Fugit – He would be
a really cool companion to Snake, and he is nerdy by default.
Infinite budget casting: Jesse Eisenberg – He is probably
too young, but the nerdy part would inevitably look his way at some point.
Mei Ling: Chiaki Kuriyama – She sounds like her. She
looks a bit like her. She would be perfect.
Sniper Wolf: Carrie-Anne Moss – You could always
use a comeback, right? This is a bit outside the box, but it would work.
Infinite budget casting: Marion Cotillard – This would be
a dream-like casting that would never happen, but would be too amazing to
ignore.
Psycho Mantis: Christoph Waltz – The manipulative,
torturous character could not be played by anyone else. Do whatever it takes to
get this guy. Wait, him for Ocelot? Oh man, he could be any of them...
Infinite budget casting: Christoph Waltz
Vulcan Raven: Mickey Rourke – This could be The
Rock, Vin Diesel, or any other muscular actor, but this is just too good to
ignore.
Infinite budget casting: Mickey Rourke or Tom Hardy
DARPA Chief: Dennis Haysbert – It is totally his
type of role, and he is always underused in movies.
Infinite budget casting: Idris Elba – He is such an
amazing actor that he would make the prison cell scene simply astonishing.
Ok, so that turned out a lot more star-packed than I
planned, but all of those characters have big, important parts in the film. It
is almost like an anthology-type movie, if it is going to keep a similar format
to the game.
Did you notice a pattern in those picks? Do a bunch of
them have a mutual director that they have worked with? That’s right, it all
relates back to the man of the hour, Christopher Nolan. I did not even really
mean to do that. I just noticed it about halfway through. On the subject, here
are my dream directors to helm the project, realistic choices that could end up
behind the camera for this future megahit, and my nightmare directing choices:
Dream Directors
1. Christopher Nolan – If he takes it, he could revive
the R-rated blockbuster, or simply change it for the foreseeable future.
2. Duncan Jones – After Moon and Source Code, I
cannot think of any director right now more qualified to have this material in
his hands, other than Nolan of course.
4. Sam Mendes – He has proven that he can do anything.
This would be an awesome next step.
T-5. Ben Affleck – I think of Metal Gear as a quiet thriller with some action, and that is
exactly what he has done so far. We have no reason to think he can’t take on a
bit of sci-fi as well.
T-5. Guillermo Del
Toro – He is so good at creating images. I can’t even imagine how this movie
would look, but I would love to see it.
Realistic Options
1. Neill Blomkamp – It would be astonishing, but he
already has Halo on his plate,
supposedly.
2. McG – The fourth Terminator
movie was not a disaster. He could be given the keys to another franchise.
3. David S. Goyer – He has directed before, and given
that he is writing, it makes all too much sense that he would take this on to
prove that he actually can handle the camera.
4. Paul Greengrass – He can make a thriller as well as
anyone. I have to believe that he wouldn’t overdo the action, either. The fight
with Gray Fox would be amazing, as well.
5. Joon-ho Bong – Anyone who has seen The Host (2006) knows that he could
probably handle this type of material. If they want to go with an Asian
director, then he is our best option.
Worst Potential Directors for the Project
1. Tim Burton
2. Uwe Boll
3. Ridley Scott
4. Brett Ratner
5. John Woo
So there you have it. I meant what I said about Nolan. If
he takes over this film with his writing collaborator, it could be a huge
game-changer. He has the backing from everywhere, so it would have that high
budget and he would be able to let loose and show a bit of blood and deliver on
some of that incredible R-rated entertainment promise he showed in Memento. It would be an absolutely breathtaking
thriller if that were to happen, as well as the wet dream of any fan of him or
video games in general. The internet message boards might just explode.
Comments? Your dream cast and crew? Thoughts on David S.
Goyer writing it? On the state of R-rated blockbusters today? Let me know
below!
NC-17 is a kiss of death in the movie industry, but now it seems R is moving that way too. Every year, they are fewer and fewer. Too many filmmakers are afraid of it. It seems there's only a handful of high-profile directors left who are unafraid of it. And you're right; It is pathetic. The rating does sacrifice a portion of the audience, but it makes for a more realistic and artful film.
ReplyDeleteI think there's 4 types of R-rated movies...comedies, blockbusters, horrors, and the artsy type that tries to win Best Picture.
Comedies are doing okay for themselves at the moment. Horrors don't have a big audience anyway. The Best Picture contenders have not done well lately, but if Spielberg or Nolan had the balls to do one, that would raise their prospects.
And lastly, and I hate to say it, but the R-rated blockbuster has been dormant for years. 300 was the last truly successful one. Since then, Wanted and Prometheus have been lesser hits, and that's pretty much it. I hoped Prometheus would resurrect the sub-genre, but unfortunately it wasn't a good enough movie.
You haven't accounted for ticket price inflation when talking about box office performance of R-rated movies. If you haven't already, check out this link:
http://boxofficemojo.com/alltime/domestic/mpaa.htm?page=R&adjust_yr=2013&p=.htm
It shows the all-time highest grossing R-rated movies if they were all released in 2013. The absence of recent films is very alarming, showing how pathetic the current state really is. Ted is not even in the Top 50.
Interesting points. I didn't really consider adjusted numbers, but it does give an interesting perspective. Further cements the fact that R rated blockbusters spawning from original stories have no place at the box office currently. I also found it interesting how older Best Picture winners were proportionally very successful compared to recent ones. The box office has always fascinated me. Trying to figure out tendencies and predictions is nearly impossible. Thanks for the post.
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