2010's Mid-Decade Report: Oscar-less Best Picture Nominees

One of the more interesting aspects of the first half of this decade is the changing policies around the Oscars and their Best Picture lineups.  In 2008, there was such controversy surrounding the 5 Best Picture nominees that the Academy decided to change its nominating policies.  Instead of the traditional 5 nominees, there would be 10 in order to honor some of the more mainstream movies in the ceremony.  What the Academy quickly realized is not every year has 10 films worthy of being nominated.  (I am still wondering how The Blind Side is called a Best Picture nominee.)  After that failed experiment, they changed the rules again to make it a lineup of 5-10 movies based on how many were deserving that particular year (earning at least 5% of the first place votes).  We have been under these rules since 2011, which has given us years of nine nominees and one year (this last one) of only eight.  Either way, this decade has brought us more Best Picture nominees than we have had since the first few years of the award's existence.

So how successful has the Academy been?  These rule changes were put in place after 2008 to avoid critically-acclaimed blockbusters like WALL-E and The Dark Knight that are truly deserving to be left out of the Best Picture picture.  Has it been successful?  Well, in the 2000's there were 55 films nominated for Best Picture with 11 of them coming home without winning a single Oscar (four of those films coming from the embarrassment that was the 2009 lineup, the first top ten).  So far this decade, there have been 45 films nominated for Best Picture.  Of those, 14 of them did not win a single Oscar, raising the winless rate 11% from the previous decade.  If a film isn't best at anything, does it deserve film's highest honor?  Let's look at these 14 films and see if their resume truly deserves the title "Best Picture Nominee."

Extremely Loud & Incredibly Close

(2011)

2 nominations

Picture

Supporting Actor - Max von Sydow

This has got to be one of the strangest Best Picture nominees in some time.  It's only other nomination was a Supporting Actor nod that had no precursors outside of a couple random critic groups.  The film was completely shut out at the Golden Globes which normally likes heartfelt films with starpower like Tom Hanks and Sandra Bullock.  Add to that a film like The Girl with the Dragon Tattoo was left off that year's list while taking home an important win like Best Editing.  It was a quality film that I enjoyed, but it didn't seem to fit the honor.

Nomination Grade: F

The Tree of Life

(2011)

3 nominations

Picture

Director - Terrence Malick

Cinematography

There are artistic films, and then there are Terrence Malick films.  He doesn't make many movies, but this was only his second film nominated for Best Picture.  Every now and then these art films get nominated for the big prize, and its other nominations show how much respect the Academy had for its filmmaking.  However, there is no way this film gets into a five film lineup for Best Picture.  If the purpose of expanding the Best Picture lineup was to allow more mass-appealing films into the Best Picture lineup, why does a Terrence Malick film get one of the expanded spots?  That is about as opposite of "mass-appealing" as possible.

Nomination Grade: D

Philomena

(2013)

4 nominations

Picture

Actress - Judi Dench

Adapted Screenplay

Original Score

Every year, no matter how many films are nominated, there seems to be the stereotypical British film that works its way into the Best Picture lineup for some reason.  In 2013, that film was Philomena.  It had about every nomination one of these British films needs to justify its Best Picture appearance.  It had a major acting nomination, a screenplay nom, and one other random justification nod.  The only thing that would have made its case stronger would have been a Directing nomination.  Looking at the 2013 lineup, it would have been interesting to see if it would have made a five film lineup.  There are other films that were more worthy, but it is the type of film that sneaks in no matter what.  On top of that, it was a great film.  I have no problem with this film being a Best Picture nominee.

Nomination Grade: B-

Beasts of the Southern Wild

(2012)

4 nominations

Picture

Actress - Quvenzhane Wallis

Director - Benh Zeitlin

Adapted Screenplay

Another byproduct of expanding the Best Picture is bringing attention some small independent films that usually wouldn't be recognized as much.  Beasts of the Southern Wild is one of those films.  A film like this sometimes pops up in the screenplay lists.  However, it is rare a small independent film finds its way to screenplay, director, and acting nominations.  Maybe it got this much attention because it did have a chance at Best Picture so people paid more attention to it.  Maybe it really was that good in the eyes of the Academy.  I don't think it was that deserving of the honor, but it is hard to argue much with the resume it put together.

Nomination Grade: C+

Winter's Bone

(2010)

4 nominations

Picture

Actress - Jennifer Lawrence

Supporting Actor - John Hawkes

Adapted Screenplay

This film falls in a similar category as Beasts of the Southern Wild.  It deserved awards attention, but probably didn't deserve a Best Picture nomination.  As the one year that was forced to have 10 nominees this decade, I have to think Winter's Bone was the tenth film on the list.  If it hadn't been for a very surprising nomination for John Hawkes, it would not have had much of a resume to warrant Best Picture consideration.  However, many people forget that this was the film that announced the arrival of Jennifer Lawrence.  If it weren't for Winter's Bone, I don't know if she would be as much of a household name now.

Nomination Grade: C-

The Kids Are All Right

(2010)

4 nominations

Picture

Actress - Annette Bening

Supporting Actor - Mark Ruffalo

Original Screenplay

This is an actor's film.  Many times in films like this, there are not many nominations outside the major categories.  This is the case with this film as it only garnered two acting nominations and a screenplay nomination.  Julianne Moore could have easily been nominated as well, but wasn't.  Usually you would think a film like this deserves its Best Picture nomination, but it reminds me a little of a film like Doubt which earned four acting nominations and a screenplay nomination, but was left off the Best Picture top five of 2008.  However, Doubt deserved consideration for one of those spots just as much as fan favorites WALL-E and The Dark Knight did.  I have no problem seeing this film in the Best Picture category.

Nomination Grade: B

The Wolf of Wall Street

(2013)

5 nominations

Picture

Actor - Leonardo DiCaprio

Supporting Actor - Jonah Hill

Director - Martin Scorsese

Adapted Screenplay

Some filmmakers deserve the recognition of Best Picture for pretty much every film they put out.  This was Martin Scorsese's 8th film to be nominated for Best Picture, and it seems to have a very similar pedigree as some of his earlier films.  With that said, it would not have been a huge shock to see Leo DiCaprio walk away with Best Actor this time around (other than the fact that the Academy seems physically unable to give Leo his day in the sun).  It may only have five nominations, but they are all the important ones.  This was definitely a lock for Best Picture that year.

Nomination Grade: A-

Captain Phillips

(2013)

6 nominations

Picture

Supporting Actor - Barkhad Abdi

Adapted Screenplay

Sound Mixing

Editing

Sound Editing

It is a shame this film didn't have a 7th nomination as Tom Hanks was robbed in the Best Actor category.  With that said, looking back on it, this was a somewhat strange nomination.  It only had one acting nomination (for a film debut no less).  It had a screenplay nomination, but no directing recognition hurts it.  It had several tech noms, but Paul Greengrass always gets those noms whether his movie gets major recognition or not (see United 93 and The Bourne Ultimatum).  In a year with five nominees, this may have been left off the list.  However, as a fan of this film, I am happy I can call it a nominee.

Nomination Grade: B

Nebraska

(2013)

6 nominations

Picture

Actor - Bruce Dern

Supporting Actress - June Squibb

Director - Alexander Payne

Original Screenplay

Cinematography

This has everything you would expect to see out of a Best Picture nominee.  It has some solid acting nominations (with Bruce Dern in talks of winning to the very end), a previous winner nominated for director, the screenplay is nominated, and it got a solid tech nomination as well.  This film deserves its moniker.  It was just one of the unlucky films that couldn't beat anybody out.

Nomination Grade: A

War Horse

(2011)

6 nominations

Picture

Cinematography

Art Direction

Sound

Sound Editing

Original Score

There is a big difference between War Horse and Nebraska even though they had the same number of nominations.  While Nebraska had all the important nominations like acting, director, and screenplay, War Horse was only able to be recognized for its tech performances.  The only reason this was even considered a Best Picture contender is the fact that it was directed by Steven Spielberg.  In a year with five nominees, this would be the equivalent of films like King Kong or Memoirs of a Geisha, however those films actually won Oscars while not being nominated.  This probably didn't belong here.

Nomination Grade: C

Moneyball

(2011)

6 nominations

Picture

Actor - Brad Pitt

Supporting Actor - Jonah Hill

Adapted Screenplay

Sound

Editing

If my brother has convinced me of anything in regards to the Oscars, it is that under most circumstances, a nomination for Best Editing is an indication of a movie loved by the Academy.  Add that to two acting nominations, a screenplay nomination, and a film fronted by a previous directing nominee, and you have quite a strong resume for Best Picture.  This film definitely deserves its title, even if it is about the Oakland A's...

Nomination Grade: A-

127 Hours

(2010)

6 nominations

Picture

Actor - James Franco

Adapted Screenplay

Editing

Original Song

Original Score

I can't think of this film's run at the Oscars without thinking of the bizarre behavior of James Franco while hosting the Oscars that year.  For that performance alone, I wish this film hadn't gotten so much recognition.  As it is, as much as I love this movie, it didn't really earn its way to being a Best Picture nominee.  It did have some key nominations like actor, screenplay, and editing, and it also was the follow-up film for a recent winner, but its other two nominations were for music.  Those are categories where many films get their one and only nominations.  As it was, they were more honoring another recent winner in A.R. Rahman than honoring the film.  This fits in a similar category as Cast Away.  Franco deserved his nomination (despite the Oscars), and the film deserved some recognition, but not Hollywood's highest honor.

Nomination Grade: C

American Hustle

(2013)

10 nominations

Picture

Actor - Christian Bale

Actress - Amy Adams

Supporting Actor - Bradley Cooper

Supporting Actress - Jennifer Lawrence

Director - David O. Russell

Original Screenplay

Production Design

Costume Design

Editing

Of all the films on this list, American Hustle deserves to be here.  Its 10 nominations are tied for second most of all time for a film to get shut out.  It achieved a true rarity by getting nominated in every major category (Picture, Director, Screenplay, and all 4 acting categories).  The ironic thing is it was the second year in a row David O. Russell pulled off this feat.  It is also amazing how close this movie was to not being on this list.  Jennifer Lawrence was an Oscar favorite through much of the awards season, and it would not have been a surprise if the film walked away with the Best Picture honor.  Instead, it walked away with nothing, but it definitely deserves to be called a Best Picture nominee.

Nomination Grade: A+

True Grit

(2010)

10 nominations

Picture

Actor - Jeff Bridges

Supporting Actress - Hailee Steinfeld

Director - The Coen Brothers

Adapted Screenplay

Cinematography

Art Direction

Costume Design

Sound

Sound Editing

This is one of the films American Hustle is tied with.  The Coens are almost guaranteed to get some serious recognition whenever they put out a movie, even if it is a remake of a beloved classic John Wayne western.  Although this one wasn't as deserving as American Hustle (no editing nom, not as many acting noms), it still belongs in the Best Picture discussion.  You have the recent winner getting recognized again in Jeff Bridges, the directors of a recent Best Picture winner getting honored again for producing, directing, and writing, and you have the fact that the Academy loves westerns.  Everything about this film screams award worthy, except for the fact that it didn't win any.

Nomination Grade: A

After looking at all these films, let's ask the question again.  Has it worked?  I think they have succeeded in drawing the public's attention to more quality films that the masses otherwise would not have heard of.  There have been very few instances where the big blockbusters have garnered extra recognition by being nominated.  I think this is partially because very few of the big blockbusters this decade have been high quality enough to be recognized in this way.  I think the recent rules for Best Picture are much better for honoring the movies that deserve it.  If you noticed, there were no 2014 films on this list as all 2014 Best Picture nominees walked away with at least one Oscar.  Rumors are beginning to swirl that the Academy is considering changing their rules for Best Picture once again.  Although I did like the group of five every year, I also appreciate the need to expand with the ever-expanding industry.  The current rules ensure no more films like The Blind Side end up as an Best Picture nominee (although Extremely Loud & Incredibly Close made it under the current rules).  I would like to see the rules stay the same.  However, it will be interesting to see what we talk about when it comes to Best Picture nominees at the end of this decade.  Either way, these 14 films are now immortalized in exclusive company whether they deserve it or not.

2014 Oscar Predictions: Final (Major Categories)

We are finally closing in on Oscar nomination morning (Thursday, January 16^th) and the live awards shows. It is clear that the frontrunner this season is Steve McQueen’s devastating 12 Years a Slave, which has been heralded as the next Schindler’s List, but at this point, I am getting the feeling that it could also be treated as more of a Lincoln-type movie by the major awards. What that means is that the race is still wide open. There are a bunch of dark-horses, and a handful of the preordained contenders are just getting their theatrical run. The voting has begun, so there is little that can happen in the coming weeks to change the fate of the films in contention. Check out my final predictions below and my ARTS AND TECHS PREDICTIONS as well.

BEST ADAPTED SCREENPLAY

The Predicted Five

1. 12 Years a Slave – John Ridley – It is the frontrunner in most categories, and barring some unforeseen backlash, Ridley’s superb screenplay will be our winner.

 

2. The Wolf of Wall Street – Terence Winter – Winter has already thrilled audiences with Boardwalk Empire, and it is difficult to pack that many words into 3 hours and keep it intelligent and vital throughout. He won’t win, but his nomination is looking very likely.

3. Before Midnight – Richard Linklater, Ethan Hawke, Julie Delpy – The third leg of the trilogy is perhaps the best screenplay achievement of them all. I cannot see these guys getting snubbed.

4. Philomena – Steve Coogan, Jeff Pope – It is a little strange thinking about Steve Coogan being a nominee, but his movie will get the British vote. It seems like a very well-written and interesting script.

5. August: Osage County – Tracy Letts – My rule against putting movies based on plays in my predictions comes to an end here. The movie is going to be bigger than most expected, and the acting nominations have to mean something.

Others in contention

6. Captain Phillips – Billy Ray – I am not really convinced that the screenplay here is all that impressive, but Billy Ray is a name and the movie could be a dark horse contender in the major categories.

7. Blue Is the Warmest Color – Abdellatif Kechiche, Ghalia Lacroix – The foreign film got the Diving Bell treatment by not competing for Foreign Language Film, which could bode well for the other major categories.

BEST ORIGINAL SCREENPLAY

The Predicted Five

1. American Hustle – Eric Singer, David O. Russell – Russell has been in and around the Oscars consistently for three films in a row, and this is yet another chance to give him that award that he is due.

2. Nebraska – Bob Nelson – If there is a little film that could, it is Nebraska. The screenplay is outstanding, every bit as good as Payne’s scripts.

3. Her – Spike Jonze – This is the most likely spot for this film to get recognized. It appears to be too far out there for the major awards, despite the mass of critic awards it has received thus far.

4. Blue Jasmine – Woody Allen – It is not his finest film, but his dramas are beloved by the Academy. Will they remember his film? I had my doubts about Midnight in Paris, and that performed exceedingly well without the potential acting noms.

5. Fruitvale Station – Ryan Coogler – Weinstein will not let the most important movie of the year be forgotten. This will be that interesting nomination that will surprise most people, much like say Margin Call and The Messenger, among others.

Others in contention

6. Inside Llewyn Davis – Joel Coen, Ethan Coen – It feels a little strange not predicting the Coens, but the buzz around the film has faded.  It may still sneak in just on their merit alone.

7. Gravity – Alfonso Cuaron, Jonas Cuaron – It had an amazing screenplay, but science-fiction is not the Academy’s thing. Look for other major noms, but not here.

8. Enough Said – Nicole Holofcener – Gandolfini’s death seems to be helping this film find its audience. Holofcener has made some great films, none of which have received a single nom.

9. Saving Mr. Banks – Kelly Marcel, Sue Smith – The movie is super light and predictable, but it is Disney. If the movie continues to make a bunch of money, I expect the Oscar noms to come flooding its way.

10. Lee Daniels’ The Butler – Danny Strong – Another Weinstein movie that will be hard to forget come nomination morning, due to its overachieving box office.

11. Short Term 12 – Destin Cretton –  I am not entirely sure how this will be treated, but if there is a film that could come out of nowhere, it is this little festival favorite.

12. Dallas Buyers Club – Craig Borten, Melisa Wallack – The movie had an underwhelming box office run, but its acting might be able to help the screenplay just enough to slide in.

BEST ACTRESS IN A SUPPORTING ROLE

The Predicted Five

1. Jennifer Lawrence – American Hustle – Bill Simmons said that watching Jennifer Lawrence is like watching 1997-2001 Tiger Woods. That is the highest compliment you can ever give someone in their craft. She is Meryl Streep #2, except she is a huge box office star as well.

2. Lupita Nyong’o – 12 Years a Slave – Her nomination is guaranteed. Only if the film is in for a sweep, she can dethrone Lawrence. No one else can win this.

3. Julia Roberts – August: Osage County – She has gotten the important nominations, and she hasn’t been invited back since 2000 despite several Golden Globe noms. This will change that.

4. Oprah Winfrey – Lee Daniels’ The Butler – She is Oprah, and she supposedly has a scene-stealing part in the popular movie. I can’t see her missing out.

5. June Squibb – Nebraska – Only 10 times have actors gotten a SAG, Golden Globes, and Critics Choice nom and then got snubbed by the Oscars. Squibb was recognized by all three, and even though she is not a typical nominee, she will get in. With a Ruby Dee-esque SAG win, she could jump out front.

Others in contention

6. Octavia Spencer – Fruitvale Station – Her performance stands as one of the best from the year’s first half, and if people still remember it, she could easily get that validation nomination.

7. Margo Martindale – August: Osage County – Her successful work as a character actress in TV and such will help her. She needs to steal the show in the film to get in.

8. Sally Hawkins – Blue Jasmine – Her Golden Globe nom helps her cause, as well as the fact that Woody’s supporting ladies always seem to be singled out. She could be a cool surprise.

9. Scarlett Johansson – Her – The Golden Globes considered her ineligible, but the Oscars have yet to do so. She is said to really drive that movie without ever appearing onscreen.

10. Jennifer Garner – Dallas Buyers Club – If the movie is beloved like it could be, she could be swept in. Many still think she got jobbed by her Juno snub.

Annual Tommy Lee Jones – In the Valley of Elah Shocker Nomination – Melissa Leo – Prisoners

BEST ACTOR IN A SUPPORTING ROLE

The Predicted Five

1. Jared Leto – Dallas Buyers Club – He always does great work, and he is dominating awards season so far. He should coast to a win if people have warmed up to him since Chapter 27.

2. Michael Fassbender – 12 Years a Slave – He is not even going to campaign his incredible performance. Maybe that will work in his favor?

3. Barkhad Abdi – Captain Phillips – He has really shown up in the early awards, and he is the emotional core of the film. I love his chances.

4. Daniel Bruhl – Rush – His film seems to be forgotten, except for his outstanding leading performance. Being in the wrong category ensures his status as a lock for a nom.

5. James Gandolfini – Enough Said – He has gotten a couple mentions so far, and he is said to be very sensitive in the film. Playing against type will help the recently deceased character actor.

Others in contention

6. Bradley Cooper – American Hustle – He just got in last year, and while he definitely does his thing in the movie, I feel like it may be a bit too much too quick for him.

7. Will Forte – Nebraska – Forte getting in would be like Maggie Gyllenhaal getting pulled in by Jeff Bridges in Crazy Heart. Forte is definitely a lead in the movie and is extremely subtle. It is not a normal Oscar role, but if they love the movie, he could surprise us.

8. Jonah Hill – The Wolf of Wall Street – He steals basically the entire movie, and he is a recent nominee. If the movie wins over the Academy and nominates Leo, which it probably won’t, then he will probably get invited as well.

9. Tom Hanks – Saving Mr. Banks – Hanks could get a double nomination, but this film has not performed well thus far. Maybe the role is too effortless to get recognized in a category that is usually reserved for scene-stealers.

Annual Tommy Lee Jones – In the Valley of Elah Shocker Nomination – Sam Rockwell – The Way, Way Back

BEST ACTRESS IN A LEADING ROLE

The Predicted Five

1. Cate Blanchett – Blue Jasmine – Blanchett has not been back since 2007’s double nomination, which is too long for one of our best actresses. She owns the movie.

2. Sandra Bullock – Gravity – Her recent win will ensure her nomination and likely hurt her chances of winning.

3. Emma Thompson – Saving Mr. Banks – This is a classic role that is a lock for a nom and will never actually stand a chance at taking the award home.

4. Meryl Streep – August: Osage County – She is Streep, she is in.

5. Judi Dench – Philomena – Dame Judi Dench, snubbed last year for Skyfall, will get a makeup nomination. At least that is how the Academy will look at it. This category is basically over.

Others in contention

6. Brie Larson – Short Term 12 – If there is a performance that could dethrone one of the former winners who seem like locks, it would be this young rising star. Appearing in Don Jon and The Spectacular Now certainly helps her cause as well.

Annual Tommy Lee Jones – In the Valley of Elah Shocker Nomination – Berenice Bejo – The Past

BEST ACTOR IN A LEADING ROLE

The Predicted Five

1. Matthew McConaughey – Dallas Buyers Club – He stole The Wolf of Wall Street, dominated Mud, and has this career role. I bet he takes it home with his first nomination.

2. Chiwetel Ejiofor – 12 Years a Slave – He is guaranteed to get in, but something about his role just does not really scream Oscar. He is far too skilled and subtle of an actor.

3. Tom Hanks – Captain Phillips – Hanks will get nominated here, his first nom since 2000. I can’t see this being his third win, though. He will have to wait to tie Day-Lewis.

4. Bruce Dern – Nebraska – I do not love his chances, but he is certainly a frontrunner to secure one of these last couple spots. He hasn’t been nominated since 1978, so this could validate a long career of memorable supporting roles.

5. Idris Elba – Mandela: Long Walk to Freedom – Mandela’s death might give this film and performance the boost it needed. It is playing everywhere, and everyone loves Elba. This seems like that “duh” performance on nomination morning that no one was really predicting, like Javier Bardem in Biutiful recently.

Others in contention

6. Robert Redford – All Is Lost – This is an actor’s acting role, but he got snubbed by SAG. Maybe he is just looked at as a director now. Redford having just one career acting nom is unacceptable.

7. Forest Whitaker – Lee Daniels’ The Butler – He got the SAG nom, but the film will really need the Weinstein push for the former winner to get nominated in this exceedingly crowded category.

8. Leonardo DiCaprio – The Wolf of Wall Street – Leo is constantly snubbed (of those 10 times that actors got the BFCA, HFPA, and SAG noms with an Oscar snub, two were Leo). If he gets in, it would be reminiscent of Rooney Mara in 2011 or Joaquin Phoenix in 2012. The film is not Oscar stuff, but the director is one of their guys and the daring work of its star is undeniable. He may sneak a well-deserved and unexpected nomination.

9. Christian Bale – American Hustle – He absolutely disappears into his role. It may not be the most obvious Oscar role, but it is clear that he is developing a screen presence of an early De Niro.

10. Joaquin Phoenix – Her – There is something about this performance that makes me think that he is still in the running, despite getting snubbed by the important precursors.

Annual Tommy Lee Jones – In the Valley of Elah Shocker Nomination – Mads Mikkelsen – The Hunt

BEST DIRECTOR

The Predicted Five

1. Alfonso Cuaron – Gravity – The film is all about the vision of its director. Splitting Picture and Director is rare, but so is this achievement. I have him taking home the gold.

2. Steve McQueen – 12 Years a Slave – He will win if the film is winning everything, most likely. Then again, in 1998 and 2000, the Best Picture winner basically swept everything except for Director, which went to an uncommon directing achievement. Is this the next in line of that group?

3. David O. Russell – American Hustle – Russell’s nomination is guaranteed…again. He can’t win this unless the film starts taking the major televised awards.

4. Alexander Payne – Nebraska – The Academy loves Mr. Payne, and of all his directions, this one might be his most impressive. It feels, looks, and sounds like a Payne film from start to finish, when he had nothing to do with the writing of it. He is one of a kind.

5. Martin Scorsese – The Wolf of Wall Street – I am not expecting the film to be super popular with the Academy, but the direction is one of his best recently and the Academy eats up everything he does.

Others in contention

6. Paul Greengrass – Captain Phillips – He got his lone nom for United 93, and while this film is not to that level, it does feature a very strong, Oscary directorial effort.

7. Spike Jonze – Her – He has been nominated before for something quirky (Being John Malkovich in 1999), but this does not seem quite as imagination-filled. Unless the Academy is desperate to give it some love in major categories, he will likely miss out.

8. Lee Daniels – Lee Daniels’ The Butler – He is a past nominee, and Weinstein has his back.

9. Joel Coen, Ethan Coen – Inside Llewyn Davis – The Coens are always getting nominated, but this movie seems destined to be one of their first forgotten ones in a long time.

10. Woody Allen – Blue Jasmine – Allen gets nominated for directing almost as much as writing. If his film really connected with the voters, then this nom would not surprise me at all.

11. Ron Howard – Rush – Howard is still one of the elite directors out there, and this is his best film in years. It is Oscar stuff, yet it faded quickly after its release. Can it be resurrected?

BEST PICTURE

The Predicted Ten (I predict 9 will get nominated)

1. 12 Years a Slave (Steve McQueen) – It is the future classic, and one whose subject matter is very Oscar friendly. It will take a big surprise for it to be dethroned.

2. American Hustle (David O. Russell) – If there is a popular movie that could take over, it would be Russell’s breezy comedy-drama. I thought the same about Silver Lining’s Playbook, though…

3. Nebraska (Alexander Payne) – I can’t see this being a winner, but it could show up this high on several ballots. Maybe it is our best dark horse contender.

4. Gravity (Alfonso Cuaron) – Sci-fi is not treated well by the Academy, but since we have had more than five nominees, they have shown up here and there.

5. Captain Phillips (Paul Greengrass) – Maybe if the Academy really loved it then it could stand a chance. I just do not see it really competing for the win.

6. The Wolf of Wall Street (Martin Scorsese) – The PGA nom ensured that it is beloved by the people that matter, but winning is going to be hard for a movie so vulgar. The older voters are not going to let it happen.

7. Blue Jasmine (Woody Allen) – Allen’s flick got a boost by the PGA. The Academy will eat up anything he does with any sort of quality.

8. Dallas Buyers Club (Jean-Marc Vallee) – With the PGA and acting noms coming its way, I can see this being a movie that steadily gains momentum throughout the season.

9. Saving Mr. Banks (John Lee Hancock) – Hancock looks like he is going to secure a second consecutive undeserved Best Picture nom.

10. Lee Daniels’ The Butler (Lee Daniels) – I still think this has a shot, despite its PGA snub. Weinstein needs to remind everyone why it was so popular at the box office.

Others in contention

11. Inside Llewyn Davis (Joel Coen, Ethan Coen) – The Coens are normally here no matter what, but this movie seems different. They were even nominated here for A Serious Man, a movie that no one understood. I don’t know. I cannot get a read on this movie.

12. Her (Spike Jonze) – The PGA certainly helped the film’s chances, but I still just cannot picture this film being called on nomination morning in this category.

13. Fruitvale Station (Ryan Coogler) – The movie is way too small to really compete for the major awards, but the Sundance win and Weinstein backing are hard to pass up. I am rooting for it.

14. Rush (Ron Howard) – If the Academy can remember how good this was, then it will be hard to leave off their top 10s.

15. August: Osage County (John Wells) – The acting nominations will help its cause, but I am not optimistic here.

16. Lone Survivor (Peter Berg) – This would be a The Blind Side-level shocker nomination. If it really rules the box office in the coming weeks, then watch out.

Thoughts? Predictions? Potential shockers? Who would you vote for? Comment below.